Showing posts with label costumes. Show all posts
Showing posts with label costumes. Show all posts

Monday, November 1, 2010

halloween 2010: i am not your halloween costume


feminist hulk's costume sounds pretty awesome.

i'm sick in bed, catching up some reading, in books and online. i've been fighting a cold for about a week now, but decided to get dressed up for halloween simply because i knew i would have regretted it had i stayed in bed. i'll share more pictures of my other costume plus some more ones i took of being the shining twins, but in the meantime i wanted to talk a bit about halloween some more.

i went out to two or three parties over the course of the weekend, and yes, of course, i encountered some truly problematic costumes. i counted a good four white girls in bastardized headdresses and warpaint, and had to share the same space as a stranger dressed as a blackface. to top it off, a party i attended awarded a man wearing a turban as "best costume," and was yelling obnoxiously about being a terrorist the entire time i was there. i felt uncomfortable the entire time, but was too sick and tired to engage with him. so, i left.

and that's what most of us do, i think. we leave. if we feel up to it, we try to challenge these people and at the very least ask them why they chose their costume. if they even notice that they are engaging in race-drag, blackface, etc.


I am a human being.

I am not your Halloween costume.

I am not your party theme.

I am not your mascot.

I am not your costume.

this has been making the rounds on tumblr, originally posted by kkeilhauer. i wish there was more information out there about the context, the people in the photo, where it was taken, etc. but the message behind it is pretty simple and great: other people's cultures are not fair game for halloween costumes, theme parties, etc. the dehumanizing effect these kinds of actions have on actual human beings is something we all too often lose sight of.

sheresists is a really intelligent and amazing activist based in guelph, and she shared her thoughts on racist costumes. on the note of halloween costumes, she argues that these costumes can be worse than culturally appropriative acts.

You’re not just taking one thing (for example, a war bonnet) from another culture, you’re trying to mimic an entire group’s racial identity when you ‘dress up’ as them. These costumes are often borrowed from pre-set stereotypes about what another culture “looks like,” how they dress, and how they act. What people fail to understand is that these stereotypes are not benign. They have real, material effects on people's lives and their ability to move throughout the world. They both reinforce and are embedded in relationships and histories of power.
...When you put on a racist costume (especially sexy ‘ethnic’ costumes like the sexy Asian girl costume), you’re speaking back to histories of colonization and exploitation and you’re reinforcing the ideologies that legitimize violent institutions that abuse and sexually exploit women of colour (though, racist costumes speak to a history of colonizing and othering people of colour in general). Whatever your intentions, by sexualizing a different ethnic group, you are saying that it’s okay to fetishize certain groups of people and you’re reaffirming that they are, in fact sexualized and consumable beings. You may think it’s fun, funny, or even ironic, but you probably haven’t experienced the effects of these stereotypes.
she goes on to describe her experiences with these stereotypes, and it's difficult (but important) to read. unfortunately it's not the first time i've heard stories like hers... and i love that she challenges these actions, wants to move forward, and foster change.

now, i thought long and hard before sharing these thoughts and links. did i really want to hold a magnifying glass to racist halloween costumes? is it even worth my time, or my readers time for that matter, to point out that paris hilton - privilege personified - is wearing a racist costume? and i'm not alone in feeling this way. this year, angry asian man asked his readers to share good costumes, instead of railing about the terrible ones:
every year, I write about all the obnoxious, awful racist Asian-themed costumes that are out there. I'm tired of that. I'd like to write about some of the cool ones.
i'm going to take a page from his book. to end on a happy note, i want to share some costumes that made me smile really big. share your favourites in the comments, too!


seriously baby yoda, you are KILLING me!


janelle monae


Natalie as an Inappropriate Unicorn and her friend Heather as Rosie Ritcher from Scott Pilgrim


Pixel Girl wins points for massive creativity and amazing execution


bra-burning second wavers! radical lesbian separatists



ingrid, a friend of a friend of mine, had the most amazing ursula costume!

so, what did you get dressed up as this year for halloween? what are the best costumes you've seen, in person and online? share links in the comments!

LINKS:
One Woman's Costume is another woman's nightmare by Whitney Teal at Change.org
My thoughts on racist costumes by sheresists
The Halloween fallout begins by Native Appropriations
Offensive or Awesome Halloween costumes? at I Am KoreAm
Why you (or your dog) shouldn't dress up as Antoine Dodson for Halloween at Shameless
Great costumes from angry asian man readers

Saturday, October 30, 2010

halloween 2010: the shining


from the shining (kubrick, 1980)



IMG_3690

IMG_3689
come play with us

IMG_3660
forever

IMG_3599



dresses: handmade by annemarie,
made with fabric we got at a flea market for 8$
hair clips: 99 cents
white knee socks: 2/5$
ribbons: from my closet
shoes: ours, changed laces to match

total cost: 14$, 7$ each! pretty sweet.


some other fun costumes from last night:

1980s wrestling champion


cute flapper


homemade! from scratch! stormtrooper costume

also, i wrote a little article over at shameless about problematic halloween costumes. read it here.
i'm going to try out another costume tonight, hopefully it will go over as well as this one did.

happy halloween!

Tuesday, June 29, 2010

violent thugs dressed in black: anarchists or cops? policing protesters clothing at the G20 protests

disclaimer: i wanted to publish this ASAP as i wrote it on my flight from toronto to mexico city, where i will be staying for the month of july. i am not planning to be online very often this month but feel that there are some very current critical issues that need to be addressed immediately. for these reasons i tried to keep this as brief and to the point as possible in order to publish it while my ideas are fresh.
  1. firstly, much of the clothing i focus on (bandanas, hankerchiefs, hoodies) and the colours (black and red) have very long and elaborate histories as well as numerous symbolic meanings in and outside of activist circles which i do not talk about here.
  2. secondly, i want to acknowledge that we could also address serious questions of how police officers not only target people based on what they are wearing, but also based on the colour of their skin. there are many reports that police explicitly targeted native women, young black men, and poc community organizers in their arrests and illegal detainments this weekend.
  3. finally, i want to acknowledge that many people directly affected by the issues G20 protesters were out in the streets to call attention to who decided against being out in the streets for their own physical and emotional well-being: immigrants, people on student visas, people of colour, trans people, people with disabilities, to name a few. these people are often disproportionately on the receiving end of police harassment, intimidation and violence in addition to being subjected to greater potential consequences (namely deportation, sexual violence, serious physical harm). i think it is important to note that while i do not go into detail about these issues in this article, we must acknowledge the important role these people play in our movement(s) and act in solidarity with them. thank you.

this past weekend, i was in toronto for the G20 Summit. i boarded a bus organized by the wonderful anarchist bookstore La Page Noire in québec city with fifty or so other people for the day long trip. i had amazing conversations with some really great people i hadn't had much of a chance to talk to before... our discussions ranged about everything from peaceful protests, why we opposed the G20, our civil rights, to drag kings.

upon signing up for the bus, i had not explicitly planned on attending protests or actions (for many reasons which have, unfortunately, been reinforced after the absolute travesties of justice that have occurred in the last week), and decided to see how i felt once i was in toronto. after the bus ride, a lot of thinking, and many conversations, though, i felt like i needed to be in the streets. in the end, i participated in relatively minor ways over the course of the weekend. this involved things such as yelling out a few chants on saturday around 5 pm near queen's park in response to the obscene police presence, asking questions to fellow protesters, attending the bike bloc on sunday, staying up to date with the alternative media coverage and sharing as much information as possible online. the highlight of my weekend was saturday night, when my friend morgan and i went to colour me dragg: silence this!, originally organized to celebrate resistance to censorship at pride this year. the events that took place on saturday changed that. it showcased incredible talent, and was an amazing, creative, positive night in solidarity with all the members of the queer community who were attacked by police and who were being detained in the makeshift detention centre (more about that awesome event in another post for another day).



but...this is a fashion blog, you are thinking. why is julia talking about the G20 protests? what could this possibly have to do with clothing? because, like i always say, fashion is political. some other readers might be thinking that it is incredibly frivolous and altogether irrelevant to talk about things like "fashion" when over 900 people were arrested for voicing their opposition to the G8/G20 and all that it represents. these events, and the questions about what people were wearing on the streets of toronto this weekend, are intrisically connected. what i really want to talk about here is the emphasis on the sartorial choices made by protesters, "average citizens," members of the press and police officers during this weekend's rampant opposition to the G20 summit in toronto and how it actively held a part in leading to such massive violations of human rights.

surprisingly, there is much to be said here. let's begin with some of the more obvious questions:
  • how does a protester dress? what does a protester "look like" and who decides what that is?
  • practicalities: what a protester should wear when participating in peaceful protests and rallies to protect themselves from targeting, harassment, tear gas, pepper spray, etc.
  • on the eve of the G20/G8 summits, with a $1.3 billion dollar security pricetag, what are police told to look for and who are they told to target to "ensure security" and "maintain the peace?"
  • policing and legislation around what people are allowed to wear on the streets of toronto as the G20 approached
  • massive confiscation of black clothing items: what are the assumptions being made about what black clothing means and represents?
  • how do police present themselves? their very own "costumes" and performances.
  • how to the police present themselves when acting as agent provocateurs and undercover/"plainclothes" officers?
those are just a few of the ways in which fashion constitutes a very political and important dynamic of what went on in the streets during the G20 protests and continuing resistance in the days following. the physical appearance of protesters and what they chose to wear was highly emphasized and was used as a way to target public hatred and to strike fear in the hearts of the consumers of the media. however, no one seems to be talking about these dynamics. the only things i have found about fashion and the G20 have been incredibly fluffy, insubstantial, and problematic articles published by the mainstream media.


"This easy-to-wash cotton/polyester ensemble will definitely be noticed by police. An optional bandana is made with polyester to protect from noxious fumes, but it also pampers the protestor with the luxury of satin." - from the Toronto Star

actually, they have been more than problematic, they are straight up nauseating. if you google "g20 fashion" - surprise surprise - we are once again exposed the sexism inherent in the institutions the G20 system upholds and represents. there are dozens of stories about what the G20 leader's WIVES wore on the "red carpet." was this a fucking hollywood premiere or was it a gathering of world leaders meeting to make important decisions that have a global impact?! you can even vote "hit" or "miss." yeah, judge the first ladies of the 20 wealthiest countries in the world based solely on what they wear. sounds right to me. at the very least at least they objectify female leaders like the President of Argentina and the Chancellor of Germany in addition to first ladies. and of course it gets worse.


how lawyers should dress in order to avoid being attacked by protesters for wearing suits. because we all know that was the main goal of protesters this weekend; to arbitrarily attack anyone wearing a suit.

sifting through all of this garbage, which is very clearly designed to distract people from the reasons WHY THE G20 IS HAPPENING IN THE FIRST PLACE and why 25,000 PEOPLE WERE OUT IN THE STREETS VOICING THEIR OPPOSITION, all i could do was laugh (well, that's a lie. all i could do was yell and gesticulate angrily and then put my head on morgan's shoulder and watch videos of maru) but then i started thinking about the ways in which "fashion" at the G20 was occurring in a very legislated and calculated way at the hands of police and the law.

in the article in which the photos of lawyers "in disguise" is taken from, many of the quotes illustrate just how pervasive the emphasis on how dangerous clothing can be.
...Mr. Wearing, who is counsel to the law firm Ormston List Frawley, will be dutifully adhering to the “Summit Planning Guide,” a one-page safety tip sheet being circulated by landlords in downtown Toronto.

“If you unexpectedly encounter demonstrators, you will be better treated if you are in jeans and a casual shirt than if you are in a business ‘power suit,” the guide advises.

“You’d be a fool if you were marching around looking like a suit,” Mr. Wearing said on Sunday, speaking through a BlackBerry he says he bought for safety ahead of the summit. “According to everything we read, those who are look like they are engaged in business are somehow the enemy.”

...“Now that we look like demonstrators, how do we convince the police not to pepper spray or tear-gas us?”

these statements perfectly illustrates the ideas propagated by the mainstream media that:
  1. "protester" might as well equal "violent terrorist"
  2. no protesters are lawyers, or any kind of respectable, powerful, suit-wearing folk
  3. aaaand last but definitely not least fucked up: that if you look like a protester, it's your own fault for getting tear-gassed or pepper sprayed. as mr. wearing ponders, how could you convince police not to pepper spray you simply based on your appearance? there is an inherent assumption that if one looks like a protester, one deserves violence and repression at the hands of the state. this statement inadvertently admits that there is explicit profiling going on on the part of police. this in and of itself is not enough: the police have aditionally been manipulating the media, the citizens of toronto, and protesters to try and excuse their rampant targetting, attempts at repression and brutality.
to prove just how truly backwards these notions are, the article concludes with this wonderful nugget of propaganda:
“You don’t challenge that type of event,” he said. “You use common sense and stay out of the way.”
unsurprisingly, the article does not discuss any of the hundreds of reasons why people are "challenging this type of event" and why people are refusing to "stay out of the way." it is serving to explicitly propagate stereotypes not only of what a protester looks like, but that if you "look like that" it is your own fault for being targeted, potentially arrested, and brutalized by police. we see this sort of logic at work in rape culture as well, demanding to know what women were wearing when they were raped and engaging in victim-blaming.

what is important for us to address here is the policing of our bodies based on what clothing we choose to wear when out on the streets during a protest. for me, these negotiations are particularly complicated in addition to being, in my opinion, totally fucked up. i don't change how i dress when deciding to attend a protest from my regular dressing habits. this basically means that i take to the streets in dresses. while i never run the risk of, say, being mistaken for an undercover cop, i do run other risks. i am often forced to negotiate spaces based on my presentation and appearance. i know some other protesters might read me as a bystander if i am not actively engaged, such as leading a chant (which i often do since my voice is very loudy and because i find it really fucking empowering), holding a placard, or being part of the organizations who organize the rallies/protests. from a logistic perspective, it is often harder for me to approach other more "obvious" looking protesters to ask for information, such as where events are happening if they have changed at the last minute, information about arrests, organizations, etc. at times, i have to prove myself as "one of them."


rally against the non-academic misconduct policy february 2008. photo by desiree kretschmar


student solidarity rally - in solidarity with trent's unions, oct 2007
photo by desiree krestchmar



student solidarity rally - in solidarity with trent's unions, oct 2007
photo by desiree krestchmar


national rally for choice, september 2008. photo by julia horel-o'brien

however, it is important to note that this appearance also affords me many privileges. i can often interact with police officers and get important information because i choose not to cover my face with a bandana, because i do not have a hairstyle which marks me as "alternative," because i don't have any facial piercings, and because i am a young "white"* woman. as long as i don't pump my fist in resistance, flaunt my black boots and show my hairy armpits (or otherwise mark myself as subversive) i can generally get away with a lot.


youth being held by police on yonge street on sunday, june 27th at around 3:30 pm. i tried to ask if they were okay, the man in this photo said no, police proceeded to yell at me, shove their hands in my face, obstruct my view of the dozen or so people being arrested, and refused to acknowledge any of my questions.

unfortunately, for the first time for me, this was not the case this weekend. sunday, i attended the bike bloc around the downtown in the early afternoon. afterwards, i visiting an alternative media coop. on my way back to my friend's place, i started asking questions/speaking to reporters wondering why a dozen or so activist-looking types were being cuffed and searched near yonge and gerrard. i was followed (for who knows how long, they refused to tell me) by three police officers in an unmarked civilian minivan while riding my bike down a quiet street. they yelled out their window at me, i stopped and was told i had broken several laws, they refused to clarify which laws other than not making a full stop at a stop sign on an empty street (except for me and said unmarked minivan which was following me), threatened with a $220 ticket, told repeatedly to shut up, that i was being aggressive, that i had no right to ask police officers questions, asked if i was a member of the black bloc or if i knew any, where i was from, what my job was, how long i was in toronto for, where i was staying, and so on and so forth.

i was generally made to feel incredibly intimidated, unsafe, and harassed for a good twenty minutes. as i walked away and they were no longer in sight, i burst into tears.

afterwards, i could not help but think that i had been "lucky." that i would have been treated differently if i had been wearing all black. if i had been wearing political buttons or badges on my clothing. if i had a bandanna around my neck. if they realized i was wearing red and black and that i do hold certain anarchist beliefs. if i were a person of colour. if i weren't informed about my rights. if one of those three cops did not sympathize with me. i could not help but think that i was lucky that i was not arbitrarily detained like many of the 900 other protesters over the weekend. lucky for not being detained or arrested for riding my bike down the street. how fucked up is that. i raise these questions because part of me wonders how much of what a protester looks like plays a part in them being harrassed by police, and how much of it is what actions they take?

every (seasoned) protestor has probably asked themselves these questions at one point or another. what should i be wearing so that i will not be a target for police questioning and other forms of aggression? why was i targeted? what should i be wearing so i can get away as easily as possible from the cops if they charge me, tear gas me, use their batons, shoot at me?
what allows me to walk the streets free of harassment and fear?
what makes me a target?

the most ironic thing about this is that the cops actively use these assumptions and stereotypes about what protesters look like when they act as agent provocateurs and undercover cops.

watch and enjoy:



so moving on to UNDERCOVER COPS. undercover cops actively reinforce these assumptions about what a "protester" looks like. wears black, bandanas, che guevara patches. is a man. this video actively shows that these reductive and simplified pre-conceived notions about what a protester looks like. they use these tactics to discredit protesters. as this video clearly illustrates, protesters are keen to these tactics and often spot these undercover cops and insist they leave. it is also interesting to note that many community activists, protesters and allies do similar things; wearing camouflage clothing or t-shirts emblazoned with the words "security" are a common sight in politicized community and is an interesting way of subverting and appropriating police clothing.


photo of a person smashing a store window who is suspected of being an agent provocateur

even two days after the g20 protests, there are serious questions being raised and reports about the number of undercover cops, agents provocateurs, and other manipulation tactics (why, with the exaggerated police presence on the streets, were two cop cars left unsupervised for such a long period of time?) used over the course of the preparations for the G20 Summit in toronto.

the criminalization and (literal!) policing of our appearances was completely overwhelming this weekend. i know i got away with a lot more this weekend (and by "got away with" i mean "escaped further harassment and intimidation for having participated in peaceful demonstrations because i am a pretty, dress-wearing, young, able bodied woman who doesn't fit their profile of what an activist looks like, save perhaps my black boots") because of my appearance. i wonder if any of the people who are still in the detention centre right now are wondering if they would still be in that detention centre if they had been wearing something else. i wouldn't be surprised.




photos by karol/decipherimages.com

to continue conversations about interactions with police, i briefly want to address my experiences with police officers in riot gear this weekend. as i mentioned earlier, on saturday afternoon at around 5 pm, after hearing about the police cars set on fire, my friend morgan and i hopped on our bikes to go see what was happening for ourselves. as we approached queen's park, the scene was terrifying; not because of smashed windows (i saw absolutely none) or flaming cars (there were none) but because of the sheer number of police officers. and not just police officers. riot cops. faceless, terrifying, robotic riot cops. i have been to more protests and rallies than i can count and i have never seen riot cops.

they absolutely terrified me.

i talked my feelings out to morgan to avoid panic; "they want us to be scared. i'm not doing anything wrong. they are supposed to intimidate me. i'm not scared. they are so fucking scared of us if they put this many cops on the street.

they know we have a reason to be angry. they know we have a reason, AND THE RIGHT, to be out in the streets, OUR streets. they know we are out here because we live in a world filled with injustice and that they play an enormous role in upholding the violent systems of oppression we are out here trying to challenge in any way we can."


photo by karol/decipherimages.com

these costumes and disguises worn by police are used to manipulate anyone who disagrees with the status quo into feeling unsafe if we are out in the streets, and helps those on the "good" side of police (in this case the G20 leaders, government officials, and citizens who have been sucked into the fear machine) to feel protected. in riot gear, police officers are completely stripped of any semblance of humanity. you cannot speak to them. you cannot look at them. you cannot interact with them. you cannot ask questions. all you are supposed to do is be afraid of them. the number of times we were in this crowd and thought we might be tear gassed (for standing there, peacefully protesting, and chanting a few slogans) was absurd and terrifying. after seeing some familiar faces, having some conversations, and calming down a bit, morgan and i decided to leave because the presence of police was simply too overwhelming.

so when the mainstream media is constantly misinforming people about these "thugs in black clothing reeking havoc on the city of toronto," i can't help but think about how much violence i saw go on entirely at the hands of thugs dressed in black clothing... emblazoned with the words "POLICE."

clearly, there is so much to be said about these questions and i could go on forever, but i think i will conclude with this: it is ESSENTIAL not to lose sight of what triggered these questions in the first place: why were people out in the streets of toronto this weekend in the first place? what were the images the mainstream media showed us of what a protester looks like and wears? how do police use our physical appearances in an attempt to repress our voices and to manipulate fear in the public eye? and more generally, what does our clothing say about our beliefs? what clothing marks us as politicized, subversive, as challenging authority?



i felt safe and proud in the crowd of people on bicycles, reclaiming our streets. i felt inspired when hearing speeches by community leaders. i felt empowered reading the wonderful materials the alternative media has been putting out around. i felt safest in the crowds surrounded by people who the mainstream media is presenting as "violent thugs" and "rioters." there is something powerful about looking around in a crowd and seeing thousands of people who were all told to be afraid, to not be out in the streets, but were still there. 25,000 strong. we were still there and we are still here and we will keep fighting as long as we have to.




photos by ben powless

for more political updates and links, please see the past few posts i've been sharing on tumblr. i suggest reading why people are out in the streets (and why you should be too) as well as my link sharing alternative media coverage of the g20 resistance.

*i say "white" because i still have many questions about my racial identity as a french canadian/acadian/abénaki person. i am often read as white, but i know the longer my hair is and the darker my skin is in the summer months i am often mistaken for latino, native or mixed.

(SHITTY) LINKS:
Lawyers trade suits for hiking boots during G20 by Drew Halfnight
G20 fashions for the militant and fabulous by Katie Daubs
Toronto Star offers G20 fashion guide, demonstrates its discomfort with irony The Informer
Toronto G20 Fashions by torontostreetfashion.com
G20 fashions in Toronto, wrap-up of summit by Newsbird's Views
Power Dressing at the G20 - the Globe & Mail

(GOOD) LINKS:
Knowledge is Power Comic - Peterborough Community Mobilization Network
Toronto Community Mobilization Network
- G20 Police Given Extra Powers
G20 Alt Media Centre
Toronto Media Coop
Movement Defence Committee
Rabble.ca
- What big media ignored: 25,000 peacefully demonstrate against G20 policies in Toronto
May Toronto's G20 be the last - The Guardian
Photos of the G20 protests by Holly Norris
Videos of the G20 protests and police brutality at yg20.info
Policing the National Body: sex, race and criminalization edited by Jael Silliman and Anannya Bhattacharjee

UNDERCOVER COP VIDEOS/LINKS
search "undercover cops g20 toronto" on youtube or vimeo
The Toronto G20 Riot Fraud: Undercover Police engaged in Purposeful Provocation
G20 Toronto Protest plainclothes cops arresting a dude / scary cop lady
G20 Toronto Black Bloc FAIL: (are they cops, paid by cops, aka provocateurs)
G20 Police used imaginary law to jail harrass demonstrators and jailed protestors in dangerous and abusive "detention centre" - Boing Boing.net
Why didn't the police stop the Black Bloc?

Tuesday, June 22, 2010

inspiration: body, identity, disguise and performance

unity ball, montreal, 1996 by pierre dalpé

gender, drag and identity as performance/costume have been weighing heavily on my mind lately. i mentioned in a few earlier posts how the longer my hair gets the more uncomfortable i am with how my gender performance is read. sometimes i really love the subversion of high-femme dress juxtaposed with no makeup, hair fussing, or shaving, but sometimes i think i'd like to be a bit more "in your face" with genderfucking. shave my head. wear more menswear. it might have something to do with my loves, in real life, in film, photography, and of course in fashion.

just this past week i watched an old favourite, hedwig and the angry inch, with a friend, and nearly rounded off my consumption of everything almodovar when i finally got around to seeing la mala educacion. i think i prefer almodovar's films focused on women, but i really enjoyed the film overall.


gael garcia bernal in la mala educacion (almodovar, 2004)

on top of those films, i was recently introduced to montreal-based photographer Pierre Dalpé's work. this past year he has been working in mexico, taking portraits of actors, friends, children, and parades. but for our purposes, let us focus in on his prior work: projects like Personae, Backstage, and Clothes-Minded.
My work deals with the interconnected relationships between the body, identity, disguise, and performance.
his beautiful black and white series really strike me with their beauty and the personalities of his subjects contained within the frame. aside from the fact that they raise questions about gender, performativity, drag, and trans identities, they are simply amazingly beautiful.

here are a few more images from his website, as well as some quotes about gender.

from clothes-minded:

peter, 1990



alex, 1990



there is a real respect and appreciation for his subjects that i think really comes across strongly in these pieces. one wonders, does dalpé also do drag himself? who are peter, alex, manny, julie and colleen? are these his friends, lovers, brothers in arms? are these portraits necessarily deep deconstructions of what "gender" is, or are they just a simple homage to the beauty of these people and how they choose to present themselves? so many potential questions, all triggered by beautiful photographs.

from personae:

saul, sarah and joanne, 1998

jeffrey and ultra, 1998

the forrest twins, 2008

his series personae, on the other hand, clearly makes references to diane arbus and plays more with performance and costuming than his other portraits. the theatrical staged aspect of these portraits really make you wonder about how much our every day gender presentation is... well, staged. interesting food for thought.

There is no original or primary gender a drag imitates, but gender is a kind of imitation for which there is no original. - Judith Butler, "Imitation and Gender Insubordination" in Inside/Out (1991) edited by Diana Fuss


Masculinity and femininity are like two dialects of the same language. Though we all understand both, most of us "speak" only one. - Esther Newton


Gender is not something that one is, it is something one does, an act… a “doing” rather than a “being.” - Judith Butler

to end things off, recently i have been poring over the pages of gender relations in global perspective, edited by nancy cook. one of my favourite readings so far has been leslie feinberg's "the giveaway," which focuses on how trans people have been treated by various native communities across north america, and the impact of colonization on those people (who are referred to as Two-Spirited). it is a really powerful text, i highly recommend reading it.

i think it is incredibly important for us to understand who benefits from imposing a rigid gender binary on bodies of all various presentations, especially in lieu of the news of recent medical interventions on young girls with "clitoris deemed too big" by doctors. once again we have to ask ourselves questions about why we are so obsessed with the idea that there are only two sexes, and in order to be socially accepted, we must fit into the very narrow definition of what is an acceptable woman or man.

but! that is another rant for another day, only slightly related to these wonderful images, films, and people. in the meantime, here are some of my favourite parts from leslie feinberg's piece, the giveaway. seeing as today is national aboriginal day, it's quite appropriate to talk about how much colonization sucks and how native people kick ass. reading the whole text really makes a powerful point about resistance and resilience.

The language used by the colonizers [steeped in hatred] to describe the acceptance of sex/gender diversity, and of same-sex love most accurately described the viewer, not the viewed. And these sensational reports about Two-Spirit people were used to further "justify" genocide, the theft of Native land and resources, and destruction of their cultures and religions.

What stunned me (about discovering the Two-Spirit tradition) was that such ancient and diverse cultues allowed people to choose more sex/gender paths, and this diversity of human expression was honored as sacred. I had to chart the complex geography of sex and gender with a compass needle that only pointed to north or south.


.... What was responsible for the imposition of the present-day rigid sex/gender system in North America? It is not correct to simply blame patriarchy, Chrystos stressed to me. "The real word is 'colonization' and what it has done to the world. Patriarchy is a tool of colonization and exploitation of people and their lands."

and of course, i wouldn't let you run away without more potential brain candy!

recommended readings:
Gender Trouble: Feminism and the Subversion of Identity by Judith Butler
Gender Through the Prism of Difference, edited by Maxine Baca Zinn, Pierette Hondagneu-Sotelo and Michael A. Messner
Disciplining Foucault: Feminism, Power and the Body (Thinking Gender) by Jana Sawacki
Gender Relations in Global Perspective, edited by Nancy Cook

zines:
Genderbent #2, by Cherry Poppins (available for download at the link, thanks to the Queer Zine Archive Project)
Gender Trouble available in zine form (downloadable pdf)

gender and sexuality resource list

films/documentaries:
Paris is Burning (Jennie Livingston, 1990)
...And the rest is drag (King Crip Productions, 2009)
Hedwig and the Angry Inch (John Cameron Mitchell, 2001)

as always, i highly encourage people to support your local independent book dealers! and check with your library; if the books you are looking for aren't available, ask them to order them for you.

Thursday, May 20, 2010

what i wore today: blossoming spring time

spring,outfit,sun,flowers,dress,vintage

this is my new favourite dress. on tuesday my friend anne-marie and i hopped onto our bikes and rode for hours out to lebourgneuf, a suburb of québec city, to check out the new value village that had just opened. we found lots of lovely things but i ended up just getting this dress and she left with nothing because everything was absurdly overpriced. another reminder that value village is the "holt renfrew" of thrift stores and to support charity based ones rather than corporate bullshit ones, even if they are recycling.

i ended up shelling out the dough for this dress because it is quite unlike anything else i already have in my closet. at first, on the hanger, i thought it might be a bit school marmy, but thought to try it on anyway. on me, it feels like a dustbowl 1930s era dress. most of my dresses and skirts are knee-length but this one hits right between the ankle and knee and in fact, i think it makes me look even taller. it is perfectly floaty and airy for the lovely weather we've been having this week. i wore it when i worked at the thrift store yesterday and got lots of compliments on it.

after work i decided to go for another bike ride (may is bike month! i've been riding my bike every day) along la riviere st. charles on a lovely bike path which has gorgeous tress with pink blossoms right now. my allergies hate me but my soul feels better after laying under those trees. here are some more pictures.

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spring,outfit,sun,flowers,dress,vintage
my new favourite bag of all time. i found it outside the thrift store i work at, and added blue eyeshadow, eyeliner, nailpolish and lipstick to the young chaps. i am thinking about adding a monocle or a pipe to one of the two youngin's.

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you can see my lonely bicycle in the upper right corner in this crooked one (the camera was propped on a tree branch)

but more generally speaking, things have been rough lately; i'm dealing with a lot of anxiety and other issues, and i'm realizing more and more as of late how fashion and clothing relates to this. i normally don't have a very hard time getting dressed in the morning (on average, it takes me all of 2 minutes to pick an outfit and put it on, ta-dam!) but lately i have been filled with anxiety and questions. i feel like there is nothing i want to wear, or that is appropriate. even though my closet is bursting, nothing feels right. i change three or four times before leaving the house to apply for jobs or interviews. what should i wear? i am handing out resumés at bars, how should i dress? at hotels, how should i dress? in retail, how should i dress? how should i wear my hair? should i wear makeup (which i normally very rarely do)? i am more concerned with how other people read me than how i present myself, and i feel like i am having a hard time knowing what people want to see.

there is a lot of power in that, in how you choose to present yourself. there are so many things in our lives we have no control of, but what we wear is something we actively choose every morning, whether we frame it as a choice or not. i think this idea relates to my self-portraits as well; i am the one deciding how to pose, what i look like, where to take the picture, when to take it, and whether or not the photo gets taken in the first place (since a lot of people dislike being photographed for any number of ((valid)) reasons). when getting dressed for others, there are very few ways to know for certain whether or not your appearance will please them. you can guess, but it is hard to know for sure, especially with strangers.

but hopefully i will find a good job soon and will feel less anxious and depressed. yesterday, as you can see, i decided to say fuck it and just wore what i felt like wearing and handed out five or six resumés and did a few follow-ups. if i try both routes (parading in a costume that is NOT me, and being myself) then i'm bound to find something.



but don't worry, i'm taking care of myself. cheering myself up by learning new old favourite songs on the ukulele, listening to lots of nina simone, abner jay, and old blues, drinking late night tea on my patio with karina, talking to old friends (thank goodness for skype) and spending more time on my bicycle than on the computer.

Saturday, October 31, 2009

halloween 2009: drowning girl

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inspiration:


1963. Oil and synthetic polymer paint on canvas, 67 5/8 x 66 3/4" (171.6 x 169.5 cm).

"Lichtenstein found sources for many of his early paintings in comic books. The source for this work is "Run for Love!" published by DC Comics in 1962. In the original illustration, the drowning girl's boyfriend appears in the background, clinging to a capsized boat. Lichtenstein cropped the image dramatically, showing the girl alone, encircled by a threatening wave. He shortened the caption from "I don't care if I have a cramp!" to the ambiguous "I don't care!" and changed the boyfriend's name she calls out from Mal to Brad. In addition to appropriating the melodramatic content of comics, Lichtenstein manually simulated the Benday dots used in the mechanical reproduction of images."

not as scary as a lot of my past costumes, but i think i still looked a bit creepy! here are a bunch more images from halloween. i think i'm going to do a different costume tonight but we'll see!

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makeup in progress:
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i tried to do my arms and legs but it did not work out so well. plus, i ended up wearing my coat for most of the night, so it was alright!

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dress: for sale in my etsy store
apron: thrifted, 50 cents
hat: thrifted years ago, had never worn it, got stolen last night :(
necklace + earrings: thrifted
shoes: steve madden on sale years ago

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salima was supposed to be a member of abba (for work) but was not happy about it. i gave her a fur hat and then we sang fernando.

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ashli went as a droog, after i persuaded her that sexy schoolgirl was not a good idea.

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there are about 50 photos of me posing ridiculously, i will spare you

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smurf and cavewoman?

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here you can see my blue hair a little better... and my makeup fading as the night progressed.

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i swear i was not the only one dancing, even if it looks like that.

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i can't resist dancing to beck

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my friend andré was a mad scientist, and our lovely host! his wall is plastered with drowning girl.

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i went to a party to see if i could win a prize, but i didn't have enough money to get in sadly. oh well! i doubt i would have won anyway.

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close up!

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it wasn't nearly as time consuming as i thought it would be, took maybe 15 minutes?

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my favourite costume of the night!

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did not know this guy, did not know why he wanted to touch my face.

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dance party with friends!

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as you can see, i quite liked my sign!



hopefully tonight, OFFICIAL halloween, will be just as much fun. we'll see...
what did you go as last night? what are you going as tonight? what is the best costume you've seen so far this year? share links!

question: how do you do a "cut" on blogger?